Seed’s narrator is on the threshold of adulthood, living in an English valley in the late 1980s when life is overshadowed by fears of nuclear contagion, AIDS and CJD. Composed in narrative threads of poetic prose, Seed explores universal themes of restriction and desire, delving deep into the narrator’s subjective consciousness and demonstrating the polyphonic discourse – fashion magazines, art, public health advice – and relationships that shape her becoming.

Joanna Walsh is an internationally-published writer of fiction and creative nonfiction. She is also a critic (The Guardian, The New Statesman, Los Angeles Review of Books), and an editor at 3:AM Magazine and gorse editions. She was a judge on the 2016 Goldsmiths Prize and won the Arts Foundation Award for Creative Non-fiction in 2017. She founded @read_women.

She is the author of Vertigo, Hotel, Fractals, Grow A Pair, Worlds From The Word’s End and the digital work Seed-story.com. Her ‘novel in essays’ Break.up was published in the UK by Tuskar Rock Press and in the US by Semiotext(e) in Spring 2018.